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Showing posts from November, 2012

The Adobe Photoshop CS6 Book Tutorial Pdf for Digital Photographers

 The Adobe Photoshop CS6 Book Tutorial Pdf  for Digital Photographers ABOUT THE AUTHOR  Scott is Editor, Publisher, and co-founder of Photoshop User magazine, Executive Editor and Publisher of Light It (the how-to magazine for studio lighting and off-camera flash), and is host of The Grid, the weekly live videocast talk show for photographers, as well as co-host of the top-rated weekly videocast series, Photoshop User TV.  The Adobe Photoshop CS6 Book Tutorial Pdf  for Digital Photographers --> He is President of the National Association of Photoshop Professionals (NAPP), the trade association for Adobe® Photoshop® users, and he’s President of the training, education, and publishing firm, For more information on Scott, visit him at: His daily blog: http://scottkelby.com Google+: Scottgplus.com Twitter: http://twitter.com@scottkelby Facebook: www.facebook.com/skelby Seven Things You’ll Wish You Had Known Before Reading The Adobe Photoshop CS6 Book Tutori

How to Use the New Image Trace in Adobe Illustrator CS6

Today we will learn the new features of the tracing engine in Adobe Illustrator CS6 and talk about its new functions. We will trace a photo, a sketch and a texture; then we will compare the results between Adobe Illustrator CS5 and CS6. Let’s get started! In this tutorial I’ll use a photo a strawberry (credit to deviantART user StockProject1) ; the sketch was kindly provided by Victoria Vasilyeva and the texture (credit to deviantART user ~kingkool6). Step 1 In Adobe Illustrator CS6 the settings of the tracing is in the new Image Trace panel (Window > Image Trace). This allows us to use other panels and tools while tracing. Such features did not exist in Adobe Illustrator CS5 as well as in earlier releases; the setting of the tracing was made in the Tracing Options dialog box, and then it was impossible to access the other objects and interfaces. Step 2 The presets have also changed between Adobe Illustrator CS5 and CS6 The new preset, "Silhouettes&qu

Design Vector Drop Shadow with Illustrator CS6 Tutorial

In today’s quick tip tutorial, I’m going to show you how to use one of the great new features of Adobe Illustrator CS6 , gradient on stroke, to create a 100% vector Drop Shadow and Inner Glow. Introduction Design Vector Drop Shadow with Illustrator CS6 Tutorial In today’s quick tip tutorial, I’m going to show you how to use one of the great new features of Adobe Illustrator CS6 , gradient on stroke, to create a 100% vector Drop Shadow and Inner Glow. So let’s get to it straight away. Taking Apart the Drop Shadow Before we get into how to achieve this drop shadow, we need to understand what actually happens when we use a Drop Shadow effect in Adobe Illustrator at present and why it isn’t completely vector. So you’ve drawn a random object, in this case I’ve used the Star Tool and you want a drop shadow on it. To get this go to Effect > Stylize > Drop Shadow and you’ll get the blow dialogue box to modify your drop shadow as you wish. However if you were

Photoshop and the digital revolution

“I use Photoshop as I would to hand-print an image; e.g., burning, dodging, etc. I don’t use ‘special effects’ very often; I’m still a big fan of more traditional techniques—applied digitally, of course.”—Marcus Bell In the days leading up to the advent of digital imaging , the skeptics/realists often predicted that until a digital image could rival the amount of information found in a 35mm film frame, professional photographers would continue to ignore digital imaging. These thoughtful folks proclaimed that there are 10,000,000 discrete units of information (bits) in an exposed 24x36mm film frame. Equalling that requires a 10MB image—a file size that is now commonplace. In fact, at this writing there are a handful of professional 35mm digital SLRs that offer 16–18MB original files. Unlike film photographs, Photoshop and the digital revolution have helped prope l wedding photographers to the level of fine artists. Photograph by Jeff Hawkins Photography. Hawkins, the other half